This week we added a lot of new sounds to the game, both character and background related. And with that a very important immersion component of the game was improved. This is of course an ongoing task, and with new zones and enemies, new sounds must be added.
We worked on the logic for the small lakes too. The drowning, walk in deep water and splash interactions were implemented, but without the proper polished particles we intend to show at a later stage.
As stated before we re-used armors from enemies as player items, so there’s now a scary version of the main character!
Shadows in general have undergone some small but crucial modifications; basically we now use the same technique used in CryEngine/UnrealEngine and other custom engines.
Left: Scary mask! Right: New point light shadows
Same as before, the new canyon-esque area is progressing nicely, and we are spending quite some time adjusting the mood and materials to achieve the proper feel for the place. The work on the new character models is also headed on the right path.
Today we will show you one of the new enemies we added and teased recently, the Mimic Barrel. Even sneakier than the Chomper, it will pounce when you are carelessly looking for some random items inside barrels and crates. It delivers fast attacks and is very agile, which will certainly make killing it your top priority.
The Chomper is also complete, with all the attacks it requires, such as throwing things at the player depending on the zone it spawns in, like mud, sand, etc.
We also tuned the camera a little bit, which now adds a small offset when the player is locked to a target, so he/she can always see the focused enemy.
Oh my God!
The work on the new area is progressing smoothly, we are using the following concept as the main guide for the mood we intend for this location:
Meanwhile, the high-poly model for the new boss is pretty much finished, so the game-ready version will surely be developed during next week!
Half of the team members are enjoying their much deserved vacations, and our programmer and game designer is back and working on the blocking of the final zones of the game! Most of the ideas are in paper and sketches including the puzzles, encounters, cutscenes and events. Blocking the final zone of the game provides an opportunity to look at the game as whole, while also considering its pacing and mood building and performing small tweaks here and there.
Right now we are blocking the Bottom of the Rift Windmills, the area inhabited by the previously revealed canyon kids. We’re aiming at a spicing up the place with a lot of exploration opportunities while taking advantage of the topology of the terrain to include plenty of vertical exploration as well. Here’s a small preview below.
Bottom Rift Windmills blocking preview.
Like we mentioned above, small tweaks and polish passes were made in the previous zones in order to achieve the intended mood. Below you will find two pictures, the first one being of the Old Woman’s House, and the second one an encounter with two cursed soldiers that are into jogging.
Old Woman’s House in the woods.
Survival rule #1: Cardio.
Hope you’ve enjoyed our devblog update, have a great weekend!
A busy week with a final sprint to finish the steam themed chapter we have been showing off lately, while also performing some final touches and working on logic testing.
The streaming world logic is undergoing some changes for the best. We’re hacking at optimizing the loading of new areas while also removing the stuttering that sometimes happens, which is noticeable on slower hard drives.
The new cutscene system we are using, that was also mentioned it in the last post, is looking great! This tool will be crucial for our emotional cutscenes.
These particles steam a bit out of place.
Don’t just stained there looking at all that cool glass!
For this past week, our artists have been fully focused on producing the 3D models of various enemies, including the new chapter’s boss. The high-poly version of the orphan kid character we’ve shown in the last update is pretty much complete, so here’s a sneak peek!
High Poly of the masked youths, featuring Blanka cosplay.
Hope you all have a great weekend, stay tuned for more updates!
This week we continued working on the current chapter’s end boss, nearly all of its move-sets are complete, while the AI polish and behavior are currently in the works. This boss has a lot of extra moving parts and we experienced some problems managing several of its animations simultaneously, but we’ve solved this in the end.
A fully functional jetpack!
We also finished populating the environment of this chapter while also adding the logic to support it, now it’s time for testing and to finish balancing! Here are some combat encounter screenshots:
Two’s a company…
…three’s a crowd!
Unity 2017 released an awesome new tool for cinematics, so we’ll have to port our existing ones and create the future ones with it for a more cinematic and professional feeling.
Regarding the next chapter, players will mostly be facing a new threat, the masked youths that dwell in the depths of the Rift! Their visual concept was inspired by a Portuguese tradition, the “caretos”, as well as Princess Mononoke’s battle costume. Their motives for attacking the girl on sight will have to remain a mystery, for now…
This week while the art team was working hard adding props and populating the battlefield zone, some logic/code was improved, like the responsiveness of the dodge after an attack animation and also the time after a big hit attack from an enemy. After these tweaks, the Girl won’t take so much time getting up to resume the fight, making it possible to avoid possible follow-up attacks. We are also adapting the prototype logic to the new props added, for example, the logic of this enormous gate is ready to go.
Surprise encounters and a puzzle awaits.
Animation wise, Iuri has joined us in the office (he usually works remotely) and is producing new animations and polishing some others. Afterwards he will tackle this chapter’s boss!
Remember the Water temple concept? Here is watermill in action (still WIP).
The low poly model for the new boss is pretty much complete, and we’ve started to work on the retopo of the weapons. Next, we’ll do all the texturing and fine-tuning. Regarding the environments, we have been busy putting together the largest ruin in the game (so far), a very tall tower. As soon as it is ready, we’ll be sure to show some screenshots.
Undead Soldier new attack example.
This chapter has a lot of small ruins and dungeons to explore, set loose your explorer’s instinct!
This week we added more animations to NPCs to accommodate the later encounters with them. As the game flows, the mood of the NPC’s change so extra animations were needed. We also made some progress regarding the in-game water, it’s still not finished for a complete step by step devblog post, maybe next week!
A small lake for relax.
Some “dungeon modules” were added too, for a more dense and labyrinthic experience when player wanders through them. We believe that every small place to explore must have some reward, so keep looking!
A Dungeon entry, beware what lurks inside!
We also changed the impact particle that shows up when the Girl’s feet hit the ground (dirt) so it looks more stylized. We will continue with this approach for the rest of the VFXs, like fire and smoke.
Populating some new zones with props and creating the mood is also in the works. On the art department things are also progressing nicely, even though this new enemy is probably the most complex character we have developed so far, especially due to the arsenal used…
This week we continued working on polishing the combat system, this time on the feeling of the combo attacks. We tweaked once again the window between the consecutive attacks that could form a small combo. We also added a slope detection so the player cannot climb to places that he/she is not meant to. In this case, the character will decelerate when the player tries to climb something with a slope greater that 45 degrees.
One thing that was asked of us at PAX East was an option to auto hide the HUD, so the player could have a more immersive experience. This was easily added, although, every time the player gets hit, changes weapon/potion, has low stamina or the current weapon durability is changed it appears again for a few seconds.
Beyond that, it has been quite a grind to populate and wrap up the environments. Getting the mood of each location just right is a big challenge. Here are some shots of the game that showcase what we are going for in a couple of areas, but keep in mind all of this is still very much work in progress.
This week we continued the work of replacing old animations with the new ones which add a lot more personality to the game. Walking on quicksand and the visual feedback of that action, for example, was something we needed to improve, in terms of animation and also in shader work. We’re currently working on that, but it isn’t finished yet. In the meantime, we are also doing some experiments with stylized water shaders to use in small lakes or shallow streams, for example.
On a different note, the cutscene system was fine tuned, and now there is an option to skip forward those events.
Knock,Knock, who’s there?
The new areas are developing smoothly, and although there are many assets to create, concepts like the one below help us to establish the mood we’re trying to achieve in advance. In this case, the image depicts the stage of a bloody battle.
Previously, we’ve shown the concept for an armor used by a new kind of enemy the player will be facing. The “game ready” model of this equipment is already finished:
We are extremely excited to announce our game will be played at PAX East on 10-12 March in the IndieMEGABOOTH space. Our first overseas adventure to showcase Decay of Logos. Here’s the lineup: http://indiemegabooth.com/indie-megabooth-pax-east-2017-line/
This week the team was polishing and finishing the art and the gameplay for the area prior to the end of Chapter One.
Exploring sometimes is worth it.
We decided to design banners that bear the Coat of Arms of one of the Princes, and we placed them on specific locations. By doing this we wanted to convey the feeling that the Ancestor ruins you find throughout this part of the Realm have been occupied and repurposed by the Prince’s men. Additionally, the banners allow us to really show how windy the area we’ve been working on really is.
Path to dangerous encounters.
There’s a trailer in the works, and we aim to show off some of these new areas in full glory and display a dramatic and accurate feeling of this game!