Tag Archives: Animation

DevBlog 63 / The water wheel is in motion!

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Hi everyone!

This week while the art team was working hard adding props and populating the battlefield zone, some logic/code was improved, like the responsiveness of the dodge after an attack animation and also the time after a big hit attack from an enemy. After these tweaks, the Girl won’t take so much time getting up to resume the fight, making it possible to avoid possible follow-up attacks. We are also adapting the prototype logic to the new props added, for example, the logic of this enormous gate is ready to go.

Surprise encounters and a puzzle awaits.

Animation wise, Iuri has joined us in the office (he usually works remotely) and is producing new animations and polishing some others. Afterwards he will tackle this chapter’s boss!

Remember the Water temple concept? Here is watermill in action (still WIP).

The low poly model for the new boss is pretty much complete, and we’ve started to work on the retopo of the weapons. Next, we’ll do all the texturing and fine-tuning. Regarding the environments, we have been busy putting together the largest ruin in the game (so far), a very tall tower. As soon as it is ready, we’ll be sure to show some screenshots.

Undead Soldier new attack example.

This chapter has a lot of small ruins and dungeons to explore, set loose your explorer’s instinct!

Explore everything!

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DevBlog 61 / The Boiler

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Hi everyone!

This week we were working on the animations and logic of the Ancestor undead soldier, making him alive but also balance his attacks with the others small soldiers is something that needs some extra work. This is a slow enemy, but careful with the range of the mace!
We also re-worked the logic behind the dodge when in combat, if you have stamina you can dodge immediately after an attack ( before, we waited for the complete end of the attack animation ). This was a feature much asked 🙂

Tough enemy!

Regarding the small lakes, we are finalizing the final details, like dynamic and static ripples. There’s a sneak peak below. When it’s ready, we will show it in a dedicated devblog post the workflow used.

Things are coming together nicely in the art department, specially concerning the environments of Chapter 2. Since the terrain meshes and textures have finally been completed using our new workflow, the team was able to focus on polishing each area to make them feel unique. On that topic, here is a sneak peek of one of the core locations of this part of the game. For this interior we are having fun experimenting with water pools and other cool details to enhance its mysterious mood.

The boiler inside the water temple.

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DevBlog 58 / The Ancestor Soldier

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Hi there!

This week we have finished the AI behavior of the Undead Soldier with the new animations, and started testing the group control with various enemies of this type, as well as with the big Ancestor Soldiers. The game model for the latter is already completed, as you can see in the GIF below. While exploring the battlefield area, if the player isn’t aware of the surroundings, several enemies can be triggered to attack. Mind the bodies lying around!

As always, various small bug fixes and small details were added to the code; a feature that was planned a long time ago was finally implemented – the dual weapon logic for the enemies. To put it simply, the enemies equipped with bows will now draw their swords for close combat situations, for example. Lastly, we’ve also added the Ancestor Soldier’s Mace and helmet to the game as wearable player items.

The Ancestor Soldier.

For the larger terrains we’re currently working on, the team has been trying out quick ways to achieve good results. The image below shows our simple pipeline to produce that kind of content, static environment parts. We first come up with a basic blockout of the scene, then we take it to Zbrush and refine the shapes and silhouettes, while keeping the model rough (since most details will be lost in the following step). Afterwards, the resulting mesh gets decimated, using Decimation Master. A little cleanup is often required, but after the UV’s are ready we bring the whole thing into Unity and start giving it life with Vertex Painting.

Workflow example.

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DevBlog 57 / Reaching new heights

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Hi everyone!

The artists have been fully focusing on character design and production these past few days. The Ancestor warrior we’ve shown before is pretty much done and will be game-ready as soon as the finishing touches on the textures are complete. Meanwhile, the final boss of this chapter is currently in the concepting phase, and we are confident this character will turn out to be a very fun and challenging obstacle for the player, due to the unusual weaponry that will be used during the fight.

A simple (yet important) prop has also been added to the game – elevators of Ancestor origin. These will be linked to a puzzle that links some areas of this chapter, and will allow the player to access otherwise unreachable places.

Testing the ancestor lift.

Gameplay-wise, the combat polishing is almost on point. We are really committed to making the “undead soldier” enemy feel like a threatening and convincing foe. He’s got some cool moves like the one shown below. The logic behind the “surprise spawn system” is ready to go, so it’s only a matter of time before we show you guys a humongous battlefield filled with bodies and a couple of unexpected encounters.

If you are too close, beware the smashing shields!

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DevBlog 55 / The Gate to the Battlefield

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Hi everyone!

In order to make it possible for us to develop interesting environmental puzzles more freely, a simple new feature was added to the Elk. Basically, the player can now command the Elk to stay in a precise location, which will be useful to overcome certain obstacles. After telling the Elk to stay put, it will start following the Girl again if she gets too far.

GET OVER HERE!!!

Meanwhile, another Ancestor Ruin has been placed in the game. This Gate marks the entrance to a very special area in this chapter, but going through it won’t be as straightforward as it might appear.

Alliance Gate.

The high poly model for the Ancestor Warrior is ready, and we’re sure these guys will prove to be quite a challenge. His weapon of choice is very menacing, and we’ll most likely show it in the next update.

High poly Undead Ancestor warrior.

We’ve also added specific idle and running animations that play whenever the Girl is adventuring with lowered stats, something that happens if she gets killed repeatedly. It was our intention to visually convey that the Girl is actually hurt and having more trouble fighting than when she is rested, and we thought a simple message prompt wouldn’t be clear enough. This is meant to work as a reminder of our “stats penalization” mechanic, so players understand why they are taking more damage from enemies and, in turn, dealing less damage to them.

Low stats run behavior.

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DevBlog 54 / The Water Temple

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Hi there!

During this week, we’ve done some tests with stylized water and interactions, like splash particles and spume. Once it is more eye-catching we will show it off. The inspirations for it are Windwaker and the upcoming Rime. In this area and the next area, there will be some small lake zones so a proper, simple and fast water shader is in the works.

We also prepared a “fake interior” for the house we’ve shown in a previous update. In the “central village hub” there will be more similar houses and as the player progresses in the game, people who used to live there will return to their abandoned homes. By then, the player will be able to knock on the doors and talk with the people inside, adding another layer to the story lore.

Always knock on the house doors.

In the new area we are working on, the player can find a great Ancestor ruin, a Water Temple, that shows signs of having been repurposed… Now it functions as a steam powerhouse, but who is harnessing all this energy?

The water temple concept.

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DevBlog 53 / A look at the battlefield

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Hi everyone!

This week we continued the work of replacing old animations with the new ones which add a lot more personality to the game. Walking on quicksand and the visual feedback of that action, for example, was something we needed to improve, in terms of animation and also in shader work. We’re currently working on that, but it isn’t finished yet. In the meantime, we are also doing some experiments with stylized water shaders to use in small lakes or shallow streams, for example.
On a different note, the cutscene system was fine tuned, and now there is an option to skip forward those events.

Knock,Knock, who’s there?

The new areas are developing smoothly, and although there are many assets to create, concepts like the one below help us to establish the mood we’re trying to achieve in advance. In this case, the image depicts the stage of a bloody battle.

The Battlegrounds.

Previously, we’ve shown the concept for an armor used by a new kind of enemy the player will be facing. The “game ready” model of this equipment is already finished:

In-game soldier with full armorset.

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DevBlog 52 / House in the woods

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Hello, everyone!

The new environments for Chapter 2 are evolving smoothly, and the art team has been hard at work producing all the required content to really develop unique locations for the players to explore. One of the current challenges has been to come up with a different kind of architecture to contrast with the stern Ancestor-built ruins of the previous areas. This time we went for a more “rural look”, loosely based on the Portuguese Traditional/Popular construction.

Using the Amplify Shader Editor and Vertex Painting, we’re able to quickly put together houses like the one shown below, while making them feel different from each other by making texture variations.

House in the woods.

Meanwhile, our master puppeteer has improved upon the existing running animation by tweaking the position of the arms and spine of the Girl while she is equipped with any type of weapon available. This way, the particular weights of both short and long swords, as well as maces, hammers or bows, really come through as the animation contextually adapts.

Upper torso bow base animation – blended with walking and running animations in real-time.

Run cycle variation.

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DevBlog 50 / Our 50th blog post!

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Hi there!

Once again, we are working hard on polishing a lot of aspects of the gameplay and fixing bugs. The camera collision was improved when in small spaces, mounting and unmounting was also tuned and the transitions are much more fluid. Like we’ve shown in the previous post, our animator is replacing all the placeholder animations, and this week it was time to replace the ladder climbing animations.

We are also working on a Lore driven collectible which we are calling “Echoes”. They basically consist of recorded memories of certain characters. As the player finds them throughout the world, these Echoes will be made available in a specific tab within the inventory.

The cursed soldier model is “game-ready”, and this is the version you can see in case the enemy has no armor equipped. Like in the first chapter, we have a dynamic armor placement which makes the enemies feel different in every encounter. This time around we will also add a destroyable armor mechanic – each piece will be destroyed as the player keeps striking.

Cursed soldier In-Game model (No armor).

Here is the concept of the fully armored cursed soldier. This armor set can be looted from the enemies and equipped by the Girl.

The full armor version of the cursed soldier.

Climbing ladders new animations.

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DevBlog 49 / Here comes a new challenger!

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Hi everyone!

This week a lot of small tweaks, balancing and gameplay polishing was done: the stamina behavior was improved (now it takes a while before the stamina is regained after it was completely drained), the parry detection is more efficient, as well as the hit detection on enemies. Changing targets when locked is now more intuitive and the player can choose easily what target they want to attack.

Since it was clear that being immediately expelled from the Elk’s back while near enemies was frustrating for the players, a small change was made in the Elk’s stress behavior so that now the stress simply increases much faster instead, making the experience of riding more manageable.

Direct swap items on the Elk’s inventory is now possible, so there’s no need for the poor design decision of dropping the item and then picking it up again.

In the art department, the work on the new enemy is advancing smoothly. Here is HighPoly model:

Cursed soldier Highpoly.

We are also coming up with a new foe for the Girl to fight with, a big armored Ancestor that will require careful planning in order to be brought down.

Ancestor Soldier.

Meanwhile, we also continue to replace old animations with fresh ones, such as this:

Pushing unlocked doors.

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